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autumn in venice - 30" x 30"
Ideal for: A lively dining room or curated snug. Its square format and swirling, vortex-like energy require a central placement, perhaps above a mid-century sideboard or oversized reading chair. It acts as a gravitational heart for a room, rewarding a stationary viewer with its complex, layered narrative of light.

A Centrifugal Core: Jon's composition is held together by ribbons of explosive light that fall like a galaxy of stars the length and breadth of his canvas. This isn't a static treatment; it is a gestural, high-velocity application of paint that seems to spin the surrounding colours outward. It pulls the ambient light of the room into the frame, creating a sense of constant, internal radiance.
Architectural Dissolution: The city’s structure is rendered through 'tactile fragments' rather than clean lines. The plaster and stone dissolving into a vortex of orange and gold, with physical fragments of Venetian life buried beneath the heavy ridges of paint. This adds a layer of 'material honesty' to the work, suggesting the physical decay and historical debris of the city.
The Marine Undertow: The lower third of the canvas is dominated by deep, flinty indigos and violets, applied in sharp, vertical slashes that mimic the churn of the canal. This provides a necessary 'chromatic weight' that grounds the fiery sky, ensuring the work feels physically rooted in the water even as the architecture above begins to melt into the clouds.
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